WARM UP
This session will mark our 9th Art Synectic Trigger investigation. When you enter class, as usual, you will acquire your accordian book and open to the next available page. The following image will be on the screen:
This drawing by Mary Cassat is in line with our previous examples of LINE from the history of art. Today you will experiment with this image through the act of DISTORTION.
This drawing by Mary Cassat is in line with our previous examples of LINE from the history of art. Today you will experiment with this image through the act of DISTORTION.
LESSON FOR THE DAY
SO WHAT ARE YOU GOING TO DO WITH THIS INFORMATION?
HOW WILL YOU ORGANIZE AND DEVELOP ARTISTIC IDEAS AND WORK?
HOW WILL YOU DEVELOP AND REFINE ARTISTIC TECHNIQUES AND WORK FOR PRESENTATION?
You have a picture plane to fill. You will fill it with drawings of chairs in a variety of sizes and orientations. The criteria for this drawing are as follows:
- 5 different views
- 4 positive chair drawings
- 3 negative chair drawings
- 2 different chairs
- 1 chair of emphasis
- 5 different views
- 4 positive chair drawings
- 3 negative chair drawings
- 2 different chairs
- 1 chair of emphasis
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