WARM UP
This session will mark our 10th Art Synectic Trigger investigation. When you enter class, as usual, you will acquire your accordian book and open to the next available page. The following image will be on the screen:
This drawing by Alphonse Mucha is in line with our previous examples of LINE from the history of art. Today you will experiment with this image through the act of DISGUISE.
You will, on today's page, alter the image through some form of DISGUISE. You are being asked to spend 10 minutes copying and changing the image by DISGUISING the elements in order to develop an interesting image. Consider the following in preparation for this activity:
LESSON FOR THE DAY:
SO WHAT ARE YOU GOING TO DO WITH THIS INFORMATION?
HOW WILL YOU ORGANIZE AND DEVELOP ARTISTIC IDEAS AND WORK?
HOW WILL YOU DEVELOP AND REFINE ARTISTIC TECHNIQUES AND WORK FOR PRESENTATION?
You have a picture plane to fill. You will fill it with drawings of chairs in a variety of sizes and orientations. The criteria for this drawing are as follows:
- 5 different views
- 4 positive chair drawings
- 3 negative chair drawings
- 2 different chairs
- 1 chair of emphasis
HOW WILL YOU DEVELOP AND REFINE ARTISTIC TECHNIQUES AND WORK FOR PRESENTATION?
You have a picture plane to fill. You will fill it with drawings of chairs in a variety of sizes and orientations. The criteria for this drawing are as follows:
- 5 different views
- 4 positive chair drawings
- 3 negative chair drawings
- 2 different chairs
- 1 chair of emphasis
AFTER PARTY
Exhibition and critique of works in progress.
Remember to come prepared for class with a sharpened pencil.
Mr. Voelker
Remember to come prepared for class with a sharpened pencil.
Mr. Voelker
No comments:
Post a Comment